27. Mai 2026

THE EVOLUTION OF THE OLDSCHOOL B-BOY CHARACTER

NEW YORK – BERLIN 1980-2000

The 1980s Hip-Hop explosion, spearheaded by the Bronx-born Rock Steady Crew and groups like RUN DMC, transformed (West) Berlin into a major European hub for the culture. This era was defined by the cinematic influence of films like Beat Street and Wild Style, which introduced global audiences to the four pillars of hip-hop: DJing, rapping, graffiti, and breakdancing.

B-Boy iconography is experiencing a powerful revival by blending the aesthetics of the 1980s and 90s. These characters serve as visual ambassadors of hip-hop culture, emphasizing the energy of breakdancing trough exaggerated proportions and dynamic poses.

OPUS 90 – THE LIVING REFERENCE OF BERLINS GRAFFITI HERITAGE

OPUS 90, known as Term Shon, is a pioneer of 1980s West Berlin graffiti culture. He is recognized as a defining figure of the 80s and 90s Berlin scene and, after a long hiatus, is seen as a „living time capsule“ preserving the authentic spirit of that era.

His signature style focuses on B-boy characters with iconic poses and 90s aesthetics, making him an institution and archivist within the community. He bridges the gap between the authentic pioneer era and the modern art world while remaining loyal to his roots.

Within the scene, OPUS 90 is more than just a painter; he is an institution and an archivist of a livestyle. While many contemporary artists merely mimic old-school styles–often appearing too “clean“– he preserves the raw energy of Berlin´s founding years. He remains “Berlin Native“ true to the classic rules of style writing. His presence at various Hall of Fames proves that his art isn`t just adapted for galleries; it lives where it belongs: on the street.

OPUS 90 has established himself as the living archive of Berlin´s graffiti culture. While the street art scence becomes increasingly digital and polished, he remains the radical preserver of the 1990s aesthetic.

Insta: OPUS_90